Monday, April 19, 2010

The Day Somali Music Died

The Day Somali Music Died

http://frontpagemag.com/2010/04/19/the-day-somali-music-died/

Jamie Glazov Posted by Jamie Glazov on Apr 19th, 2010 and filed under FrontPage. You can follow any responses to this entry through the RSS 2.0. You can leave a response or trackback to this entry

Jamie Glazov is Frontpage Magazine's editor. He holds a Ph.D. in History with a specialty in Russian, U.S. and Canadian foreign policy. He is the author of Canadian Policy Toward Khrushchev’s Soviet Union and is the co-editor (with David Horowitz) of The Hate America Left. He edited and wrote the introduction to David Horowitz’s Left Illusions. His new book is United in Hate: The Left's Romance with Tyranny and Terror. Email him at jamieglazov11@gmail.com.
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    Islamist insurgents have ordered Somali radio stations to stop playing music, a ban that went into effect last Tuesday. This order follows the Islamists’ ban on musical ringtones, movies, men without beards, football, women’s beauty salons, and bras. Those not adhering to the new ban risk a grave threat to their physical well-being, which includes getting assassinated or undergoing Sharia-based punishments. Such punishments include having your limbs amputated, your eyes gauged out, your tongue cut out, and your ears cut off.

    A majority of radio stations in southern and central Somalia stopped playing music and jingles on Tuesday. In Mogadishu, the capital, only the government-controlled Radio Mogadishu, which is protected by African Union peacekeepers, and the UN-funded Radio Bar-Kulan, whose studio is in Nairobi, resisted the order.

    In order to understand this phenomenon, it is critical to keep in mind that for the totalitarian radical, experiencing any kind of joy means succumbing to the false consciousness that, in the utopian mindset, must be purged from the earth. Earthly joy distracts from the constant vigilance that is necessary to engage in revolutionary battle.

    This is why Lenin refused to listen to music, since, as he explained, “it makes you want to say stupid, nice things and stroke the heads of people who could create such beauty while living in this vile hell.” For Lenin, violent revolution was the priority — a priority endangered by the emotions music could induce.

    Sayyid Qutb, one of Islamism’s godfathers, could relate to this vision all too well — and he serves as a perfect example of Islam’s rejection of the joyous celebration of this world and this life. In his work Milestones, Qutb demonizes the pursuit of individual interests and sensual pleasures — but above all sexual pleasure — and of personal happiness and fulfillment. The word “desire” reverberates through Milestones as a diabolical entity.

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