Posted: 06 Jan 2013 08:53 PM PST
"They hurry like savages to get aboard an iron train/And
though it's smoky and crowded they're too civilized to complain."
"Bongo, Bongo, Bongo", Danny Kaye
The difference between the civilized man and the savage is that the civilized
man follows the rules and the savage does not. A civilized man is quite
capable of killing one, a hundred or even a million, so long as he is first
outfitted with a uniform and a set of regulations telling him when and where
to kill. A savage kills as he lives, without the need for rules and regulations.
The civilized man is
bound by interdependent social compacts that control his survival. The savage
does not depend on a social compact for his survival. He depends on himself.
Even when his survival derives from the same system as that of the civilized
man, he feels no sense of obligation toward that system. He exploits it, the
way that he would exploit a honeycomb in the forest or kill the last mammoth
without worrying what will happen when it is gone.
The modern civilized man with his giant and tiny screens full of information
that tell him not only who won and who lost, and make him laugh and cry, but
also update him on the latest social mores so that he can maintain his
civilized status by staying in step with the march of progress, has learned
to live by the rules. More than that he has learned to believe in the rules.
The rules feed him and move him up the ladder where he will be able to buy
more giant and tiny screens to stay in step with civilization.
The savage advances much more slowly up the ladder, even when he lives next
door to the civilized man, but this is of little concern to him. The
civilized man is concerned with advancement while the savage is concerned
with sensation. The civilized man wants to better himself. The savage only
wants to be himself. For the civilized man there is only the past and the
future, but no present, but for the savage there is hardly any past and no
future... only the eternal carpe diem moment of the present.
The civilized man builds trains, roads, telegraph poles, skyscrapers, fiber
optic lines, satellites and organizations to link together and control his
civilization. Faster communications and transportation make it possible to
link together larger areas, economically and politically. Civilization
expands and grows denser at its centers and increasing amounts of resources
are diverted from the tasks of progress to the chores of administering
impossibly large territories.
As forward progress slows, the civilized man begins to fidget aboard the iron
train. Looking out at the lush jungle, he begins entertaining thoughts of
becoming a savage again. For the most part he knows that he cannot actually
turn savage. The awareness that he will have to give up his comforts to turn
savage is embedded too deep within him. The savage does not understand that
going feral takes twenty years off his life expectancy and kills half his
children. And even if you explained it to him, he would not care for the
savage does not believe in the future, only the present. It is this knowledge
of the future that burdens the civilized man who longs to turn savage. It is
this knowledge that he is determined to destroy to be able to escape once and
for all from the iron train and into the jungle.
There are simple and effective ways of destroying that awareness of the
future. The easiest is to use the pull of sensation to bury the mind in the
present. Drugs are one way to accomplish this and sensuality is another.
Constantly rushing into danger or burying yourself in noise will do it too.
So long as your mind is forcibly tethered to some sensation, whether it is
the aching receptors of the brain crying out for the new drug of choice that
they have bonded with or any other part of the nervous system that is
overloaded and whose overload cripples memory and long-term thinking, then
you can simulate the state of mind of a savage.
Simulation through stimulation is ineffective. The civilized man does not
properly turn into a savage, instead he becomes a hybrid, too civilized to be
a savage and too savage to be civilized, with one foot chained to the iron
train of progress and the other in the damp earth of the green jungle.
The civilized savage is the dominant figure of the latter quarter of the past
century and of this century as well. This creature is a chimera of
contradictions. He is a high tech back to nature fellow. He builds entire
industries dedicated to harnessing the sun and the wind. He drugs himself
with legal and illegal cocktails of chemicals to get in touch with his inner
emotions.
Most
contradictory of all, he believes that the sum of civilization lies in
dismantling the military and industrial infrastructure that makes
civilization possible and replacing it with a trillion dollar social organization
that will reproduce some natural primitive order, as defined by the proverb,
it takes a village to raise a child, a proverb that like the rest of his
ersatz savagery he invented himself.
To become truly civilized, the civilized savage believes, one must become a
savage, one must learn from the savages how to be civilized, by embracing
civilized savagery and leaving behind the civilized savagery of imperialism,
nationalism, capitalism and all the armies marching off to war and
smokestacks belching smoke.
Social progress, to the civilized savage, is the only progress there is and
he associates it with dismantling, what he thinks of as the artificial
elevation of capitalism and the middle class, and restoring everyone to
savage equality through a vast collection of government agencies. A village
employing millions of people just to teach civilized men how to become
savages by taking away their responsibility for the future.
In "the village", there are no fathers or mothers, parents do not
care for their children and children do not look after their parents. There
are no husbands or wives. Everyone is forever young, or pretending to be, and
forever keeping it real, in the moment where no one has money and everyone
has all they need, where no one works and everyone earns, where there is no
past and no future, only right now.
This 20 trillion dollar subsidized fantasy of control freaks who imagine that
they want to get in touch with a natural way of living has become the
barometer of progress. Progress has come to be defined as the end of
civilization.
The civilized savage is searching for authenticity under every plastic bush
and ceramic turtle. He is all about keeping it real in an air conditioned
studio surrounded by four kinds of flavored water. He wants to cut loose with
a designated driver, hold an orgy with protection and build an artist's
colony with social security benefits. Too stupid to be civilized and too
smart to be a savage, he lacks the survival skills of either group. He cannot
make it in the jungle,and on the iron train his only function is contributing
creativity to the leisure of a mechanistic culture. Without the middle class
that the civilized savage does his best to stomp out, he would quickly become
as extinct as the mammoth.
What the civilized savage lacks in useful skills, he more than makes up for
in creativity. Straddling the boundary between the immediacy of the savage
and the foresight of the civilized man, he is able to blend both, combining
ego and technique, emotion and rational order, to be a talented performer, a
charismatic speaker, an ingenious artist, an evocative writer and a startling
poet. In addition to this he is capable of starting all sorts of businesses,
so long as those businesses involve finding a new way of catering to the
leisure needs of the public or cashing in on government social spending. When
the train grinds to a halt, then the passengers need to be fed and
entertained, and so these are among the few growth areas of a society that is
otherwise stuttering to a halt, bringing wealth comes his way.
The civilized savage sabotages the train and then opens up a snack food stand
by the side of the road serving soylent green. He unionizes the railway
workers, convinces them to spend the next month on strike, throws together
three films about the dangers of rail travel, contributes the profits to a
special fund to enable the victims of motion sickness to sue the railway and
then runs for office on a platform of making the trains run on time, when
what he really means is making sure that the trains never end up running at
all.
Civilized men don't know what to make of the civilized savage. He is at once
a repulsive and appealing figure to many. And even when the civilized savage
oppresses them, they do not rise up against him, because they are too
civilized to complain. Riding the train is a privilege of the social compact
and they will keep riding it, mostly in silence, so long as they believe that
the social compact of their civilization provides them with a measure of
security. While the savages kill and riot, their civilized brothers clutch
guns and wait silently hoping that tomorrow the track will be fixed and the
trains will run again.
The rise of the civilized savage is a harbinger of the end of a
civilization. But there is such a thing as the natural rise of a civilized
savage, which is the sort of thing that took place in Rome, and his unnatural
rise due to the careful plotting and planning of an entire ideology which
found it useful to promote decay by empowering the civilized savages who were
naturally drawn to it. And while the natural rise of the civilized savage may
not be averted, the unnatural rise does not represent a national moral
failing, but the outcome of a plan.
The Western civilized savage has hijacked civilization to serve the ends of
savagery. The longer this state of affairs goes on, the more difficult it
will be to get the train going again. But getting the train going again is
the best way to shake off the savage appeal of the jungle. It is only when
people see that true social progress is possible by harnessing the forces of
industry and culture to move forward, that the claims that the civilized
savage makes about social progress come to seem as ridiculous and antiquated
as Soviet propaganda posters.
There is no way to defeat cultural defeatism but through success. The trains
must run or the jungle awaits.
Daniel Greenfield is a New York City based writer and blogger
and a Shillman Journalism Fellow of the David Horowitz Freedom Center.
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